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Hi! I'm writing a novel that takes place in the French Pyrenees (modern day), and I'm trying to figure out what plants to place in this fictional garden.

More info:
The novel takes place at a villa owned by a middle-aged bohemian lady who moved there from Paris maybe a decade ago. Gardening is her hobby. In the back of the house is a potager (vegetable garden), and I've got that covered. But the front of the house has a flower garden, and I don't know so much about that.

It doesn't need to be plants that are native to the region, but it has to be plausible that they would be available and could thrive there. It's summertime (late July-August), and I would like there to be flowers, because we often see her pruning the old blooms. I assume rose bushes would work, but I would love some other options to work with. I've been picturing something like hydrangeas or rhodedendrons, but I don't know how common they are in this environment.

Some kind of ornamental tree would also be nice, for a character cry under. A flowering tree or large bush would be nice but not necessary.

She has somewhat offbeat tastes, so anything off the beaten track would be great, but it has to make sense for the climate.

Thank you!
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Rulebooks, Adventure Anthologies, + 4 adventures for the Old-School Essentials tabletop roleplaying rules set from Necrotic Gnome.

Old-School Essentials Advanced Fantasy Bundle

Clarke Award Finalists 1997

May. 19th, 2025 10:15 am
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1997: The UK wins Eurovision, the BBC foolishly embraces that passing fad known as the internet, and Tony Blair wins a razor-thin 179 seat majority.


Poll #33137 Clarke Award Finalists 1997
Open to: Registered Users, detailed results viewable to: All, participants: 21


Which 1997 Clarke Award Finalists Have You Read?

View Answers

The Calcutta Chromosome by Amitav Ghosh
3 (14.3%)

Blue Mars by Kim Stanley Robinson
12 (57.1%)

Gibbon's Decline and Fall by Sheri S. Tepper
6 (28.6%)

Looking for the Mahdi by N. Lee Wood
4 (19.0%)

The Engines of God by Jack McDevitt
4 (19.0%)

Voyage by Stephen Baxter
3 (14.3%)



Bold for have read, italic for intend to read,, underline for never heard of it.

Which 1997 Clarke Award Finalists Have You Read?
The Calcutta Chromosome by Amitav Ghosh
Blue Mars by Kim Stanley Robinson
Gibbon's Decline and Fall by Sheri S. Tepper
Looking for the Mahdi by N. Lee Wood
The Engines of God by Jack McDevitt
Voyage by Stephen Baxter
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[personal profile] selenak
I rewatched Rogue One for the first time since I originally saw it in the cinema, obviously inspired by Andor, and curious whether two seasons of an excellent prequel to a prequel would make a difference. In the grand scheme of things, it didn't - I liked the film then, I still do, with a few exceptions, I'm not interpreting things very different from when I was newly introduced to (most of) these characters. I'm still irritated by the same plot element in the opening sequence , possibly even more so post Andor- spoiler cut just in case ). I still like and appreciate pretty much everything else. Then as now, I feel the movie is a love letter to all redshirts, and far more original and creative than the one sequel movie which was already released by the time Rogue One premiered, The Force Awakens, because instead of modelling itself on A New Hope and repeating the exact some emotional and plot beats, it told an actually new story within the SWverse.

There are a few differences seeing this for the second time and post Andor does make for me:

- Jyn Erso no longer feels like the main character, Cassian does, with Jyn only guest starring, so to speak

- the delighted shock at the appearance of Saw Guerrera (not so much for Saw's sake but for the fact that up to this point, he had been an animated Clone Wars character, and if he was now big screen canon, then so was Ahsoka) made room for a more spoilery reaction )

- I like the Rogue One only (i.e. not appearing in Andor) characters of Bodhi, Chirrup and Baze a lot and in retrospect Bodhi especially forshadows Team Gilroy's ability to create nuanced imperial defectors/undercover-for-the-rebellion people who with not much screen time still make me feel a lot for them (see also Lonni Jung, or even just the maintenance worker Cassian interacts with in the first episode of s2)

- the way fascism works on a dog-eats-dog basis, with groveling towards those above you and kicking downwards, is really perfectly illustrated if you contrast Krennic in this movie (where we mostly see him with people who outrank him, like Tarkin and Vader) versus Krennic in the show (where we exclusively see him with people he outranks, like Dedra and Partagaz)

- yep, the digitally recreated counterparts of Peter Cushing and Carrie Fisher still look creepy, and Andor with Bail Organa proves you can successfully recast if an actor (for whichever reason) isn't available anymore

- I stand by my observation from my original review that the fact Rogue One as a prequel could not show the Death Star destroying a planet (since Alderaan has to remain the first occasion this happens) was a blessing, because what it shows instead - spoilery in nature ) is way more viscerally frightening, only now I think Tony Gilroy might have shown that restraint even without the prequel factor, because the Ghorman arc in s2 illustrated he and his creative team are very very aware of how you buld up to, execute and then show the aftermath of such an event in a way that really affects the audience. (Meanwhile, The Force Awakens went completely into the opposite direction and tried to top the one destroyed planet with multiple destroyed systems and no emotional resonance whatsoever.)

Some more thoughts about Jyn: Which are spoilery. )

What Rogue One and Andor between them accomplished for good, though, is to realign the whole focus of the Rebellion era in SW from the force wielding Jedi and Sith characters to the non-force users (Chirrup's belief in the Force notwithstanding), and thereby making it feel far more of a story about Revolution versus Authoritarianism. This doesn't mean I disdain the Jedi and Sith aspects of the story now, btw. Or that I think the only valid SW has to be like Andor. As mentioned elswhere, I adored Skeleton Crew*, which is defiantely aimed at kids and about them, and which is just as much SW. But I am really really glad there is room for both.

*Speaking of which, I hear one young actress is now the new central Slayer in the BtVS sequel? On the one hand, good for her, she was great in Skeleton Crew, otoh, I guess that means it remains a miniseries without a second sason.....

Work

May. 19th, 2025 09:36 am
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I made a positive contribution to work by proposing a sign for the perennially-blocked door 10 that warning people that door is an emergency door and not to be blocked. Door 10 is in a short corridor next to a change room and people keep commandeering it to store stuff. Specifically clients. I think I may have annoyed the client last Friday by informing them I wasn't going to open the theatre until that exit was cleared.

Of course, nobody will read the sign but at least it will be there.

Not as annoying as the time the Hack the North kids decided the best place for a pile of duffle bags was against the outside of door 8, one of the two main balcony entrances.

The legion of house managers got a long form of things that we're expected to do, each section of which we had to initial before returning it. I was not the only one who read it looking for sections that might have been inspired by something I did or did not do.

May 19, 2025: Jam In Silence 2025

May. 19th, 2025 05:17 am
[syndicated profile] daily_illuminator_feed
While in the midst of a game design discussion on Discord, I was thinking about the difference between TTRPGs and LARPs. When I was younger, I used to do a lot with silence and speech in LARPing. One of my proudest games from my teenage years was called "Silence Blooming" – a horror LARP where no one could talk out loud, only write notes to each other. But TTRPGs are different, and sound works differently. It's hard to have silence be part of a TTRPG without it feeling like a pause in the game or a disruption of play. I have a couple ideas on how to approach this, but I was more interested in seeing how other people could take a stab at it. So I launched a game jam! It's called Jam In Silence and it'll be running from May 19th to June 19th. I'm hoping to see a lot of really interesting art emerge from it, and maybe even some playable games! If you're a game designer and you want a challenge for making a small game, this is a good opportunity.

Jay Dragon

Warehouse 23 News: The City Never Sleeps Because Of All The Action

There are a million stories in the city, and they're all exciting! GURPS Action 9: The City shows how you can add GURPS City Stats to your GURPS Action campaigns. It also features six sample cities to use with your own action-packed adventures. Download it today from Warehouse 23!

Brief Update

May. 18th, 2025 04:32 pm
[syndicated profile] charlie_stross_diary_feed

The reason(s) for the long silence here:

I've been attacked by an unscheduled novel, which is now nearly 40% written (in first draft). Then that was pre-empted by the copy edits for The Regicide Report (which have a deadline attached, because there's a publication date).

I also took time off for Eastercon, then hospital out-patient procedures. (Good news: I do not have colorectal cancer. Yay! Bad news: they didn't find the source of the blood in my stool, so I'm going back for another endoscopy.)

Finally, I'm still on the waiting list for cataract surgery. Blurred vision makes typing a chore, so I'm spending my time productively—you want more novels, right? Right?

Anyway: I should finish the copy edits within the next week, then get back to one or other of the two novels I'm working on in parallel (the attack novel and Ghost Engine: they share the same fictional far future setting), then maybe I can think of something to blog about again—but not the near future, it's too depressing. (I mean, if I'd written up our current political developments in a work of fiction any time before 2020 they'd have been rejected by any serious SF editor as too implausibly bizarre to publish.)

Fahrenheit 451 by Ray Bradbury

May. 18th, 2025 08:48 am
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Guy Montag and his wife Millie live comfortable, conventional, middle-class lives. Millie finds purpose in an endless stream of television entertainment. Guy burns books.

Fahrenheit 451 by Ray Bradbury

Emily Tesh: The Incandescent

May. 18th, 2025 11:00 am
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[personal profile] selenak
The second Tesh novel in a couple of weeks for me, thanks to friendly comments pointing out a new one was about to be published. This one in a completely different genre: magical school story with some horror mixed in instead of military space opera with some dystopia. Unusually and refreshingly for any type of school story, our heroine and central character is one of the teachers, and so is most of the supporting cast. There are four students who are important to the plot in the way teachers are in other boarding school stories - from Enid Blyton to Harry Potter - , which is to say, you get to know them, but strictly from the outside, they are plot relevant, but the narrative emphasis is strictly on the teacher side of things, not just in terms of our central character but also the main supporting characters.

Since Dr. Walden (first name Sapphire which is her parents‘ fault; friends refer to her as „Saffy“, but the narration and her own pov call her „Walden“ almost through the entire novel) is near forty and a determined bisexual workoholic, the difference to the Young Adult tone with which many a boarding school story usually arrives is there from the start. At first, the novel seems to go for wry comedy as we get to know the characters and the setting; the rules for this particular universe are established: An AU in which magical abilities are publically known and a thing; the problem is that teenagers with their magical abilities running wild and them not yet able to really control them are the favourite snacks of demons, both, depending on the size of the demon, in the literal sense or via possession or for the smallest imps just via annoyance by them possessing machines. I mean, we all knew that about printing machines and photo copiers in offices, right? Anyway, hence the need for schools simultanously teaching the kids how to control their abilities and doing their best to save them from ending up as snacks. This can be difficult because teenagers by definition think THEY are invulnerable and able to conjur up the cool demons, which is why in addition to the regular teachers like Walden, there are also „Marshals“, i.e. magical cops who mostly don‘t have an academic background but excell at demon fighting. We open the novel with Walden meeting the latest Marshal, Laura Kenning; there is mutual resentment and UST from the get go.

It comes more and more evident that larger demons are no laughing matter and really incredibly dangerous, though the black humor never leaves the narrative tone, either. Walden, for all that she oozes competence and cool in the present, had A Tragic Event in her own youth; basically she‘s female Rupert Giles if you‘re a Buffy the Vampire Slayer (and/or female John Constantine from Hellblazer, if John/Joanna had gone into teaching after the event in question), and while she is really as good as she thinks she is in all things magic, she also is slightly hubristic because of it, and that becomes highly plot relevant. I also appreciate that she has a genuine passion for teaching. As for the demons, they‘re gratifyingly complicated and alien; leaving the comic relief ones you find in printers (I KNEW IT) aside, the reader is presented with two important ones, and while the first one‘s goals are obvious and very Exorcist the tv show, what the other one is up to is infinitely trickier and yet the hints are there early on.

By now, I‘ve found out that there were some complaints re: Some Desperate Glory regarding the characters being queer but their romances only seen in glimpses, so to speak, which I thought was appropriate for the characters and the story of Some Desperate Glory (plus it invites fanfic), but I take the general point, so let me say that Walden‘s romantic and sexual life gets more narrative room, plus Walden/Laura is central to the plot. Also, the novel avoids two extremes I find annoying which some media take with bisexual characters: either a character is declared to be bi but we only ever see him or her with one gender of romantic partner, i.e. the opposite if it‘s a more main stream show (looking at you, Da Vinci‘s Demons) or the same (Torchwood fanfiction; the show itself gave more screen time to Jack‘s same sex romances, but we did get some examples of him and women as well); OR there is the cliché of the evil, disturbed or at least amoral bisexual, unable to commit and breaking hearts that way (famously Basic Instinct, but also the novels of an author I otherwise really like, Sosan Howatch). By contrast, both in the past and in the present Walden is someone the reader sees to be attracted to people of both genders, we‘re not just told that in theory she is, and she‘s emotionally involved in the relationships in question (with one exception). (While at the same time being a sensible force for good. )That said, it is rather clear which relationship in the present we‘re meant to root for. *g*

In conclusion, this was another highly readable and very captivating novel by this author, who I hope will gift us with many more in the years to comem.
[syndicated profile] daily_illuminator_feed
My cheapest hobby is collecting random interesting words that I find when digging into the etymology of modern vocabulary, sometimes fiddling with them to make them look part of a cohesive yet fictional language for that fantasy RPG campaign kicking around my head or that Star Trek fan fiction I might someday write.

I very soon realized that I wanted to keep track of my notes in something more than a spreadsheet, which lead me to discover all manner of useful tools for designing and documenting constructed languages.

Whether crafting some entirely new tongue for fiction, or as a way to keep track of different common phrases in other languages that you want to use to give your roleplaying characters some extra pizzazz, there are quite a number of different kinds of tools to help with organization.

The first one that I came across in my initial casual search was Vulgarlang. I like this website because it has a way to create a custom language based on the sounds you want to appear in it. Unfortunately, I already had many words that I wanted to keep, and I discovered that adding to the dictionary is more difficult than I'd hoped. The upgraded versions might make the process easier, but I haven't experimented with them because I haven't justified the monetary or time expense to myself yet.

The next database/language construction site I found was ConWorkShop. I love how robust the features are, including the option to program autogenerated pronunciation and inflections. It also works on my iPad and on my desktop, and it has a busy Discord community. Unfortunately, each word can only have one definition, and adding custom definitions is tricky. My wordlist became bloated with duplicate words with subtly different definitions. Moreover, the ability to import a spreadsheet was broken when I tried it a few years ago, though it does a decent job with exporting.

I have a couple more recommendations that I'm hoping to share in the future, but these are good baselines to start a constructed linguistic journey. As we say on Vela III, Bon voyage!

Nikki Vrtis

Warehouse 23 News: Why Is The Darkness Blinking?

They're trapped between the realm of the living and the dead . . . and they're not too pleased about it. The Book of Unlife adds 44 unliving monsters to your The Fantasy Trip campaigns, along with a complete adventure setting. Live like there's too many tomorrows thanks to Warehouse 23!

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